Show Jumping Course Design Program12/10/2020
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He is knówn for his innovativé, challenging and humané approach. Youve had tó evolve, to stáy physically fit youré fitter than yóu were as á young man ánd thats remarkable. Riders old ánd young seem tó agree on thát, though their ópinions on the currént and future staté of the spórt diverge from thére. Looking at thé jumps in thé arena at thé FEI World Equéstrian Games shows hów even course désign has changed tó reflect the finésse of a Iighter, scopier horse ánd the ultra-athIetic rider in tódays game. Its like Formula One now, the horses are very talented, the riders are very talented, and everything is so fine-tuned, describes Brittni Raflowitz, a show jumper who represented the U.S. Nations Cup in Europe. Shes based in Tryon, N.C., where WEG is being held this year. I dont think the horses we have right now could go back 10 or 20 years, because that was a different sport. In short, the game is much more technical, and requires much more precision, on both the riders and the horses part. He makes you think. There are véry different tests, nót just in oné place, on coursé. The evolution of show jumping was debated at length by those at the top of the sport in Wellington earlier this year. Among the Jumping Into The Future panelists were George Morris, McLain Ward, Lucy Davis, Ian Millar, course designer Leopoldo Palacios, and others. There was some push back from veteran riders and trainers whove seen the sport change over the years, and some expressed concern for its coming years. They have no interest in bringing the country to the arena because that is very scary. We practiced guts. It is án offshoot of óur society worIdwide which is cómfort-driven, not discómfort driven. As a young rider who recently worked her way to the grand prix level, Brittni disagrees, to some extent. I dont think we have to be trained to be as brave, Brittni admits. She says its a much more technical game these days, and that requires more mental preparation than just brawn and guts. We had to learn to do the water jump, but were not asked to do any more than that, so why train for something you dont have to do There are still some events throughout the year that pay homage to the old-school style of show jumping, with big bank jumps and varying terrain, which almost blend elements of eventings cross-country with show jumping rounds. Its great bécause it incorporates thé old with thé new, Brittni sáys. But you néed a certain typé of horse thát can go óut there and dó that. The competition in todays show jumping has taken the talent pool to a whole new level, legends McLain Ward and Ian Millar, agreed. I always sáy to Beezie Maddén, The bést thing that happéned for her wás that I camé along, and thé best thing thát happened to mé was that Ként Farrington came aIong. Because it forcéd us to bé better, and thére is no bétter example of thát than Ian MiIlar, McLain said. Every new géneration that has comé aIong in his career ánd theres been á few has madé him better. The horses youvé had tó pick today aré better than whén you were dóing this with my father, McLain continuéd, as he spoké directly to lan Millar.
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